Those interviewed include important figures such as Martha Ansara, Jan Chapman, Albie Thoms and Phillip Noyce. The film examines the history of Sydney and Melbourne film co-operatives told by those at the forefront of independent filmmaking in Australia. Understandably, John Hughes and Tom Zubrycki’s Senses of Cinema was also a standout film in Adrian Dank’s highlights for The Conversation from this year’s Melbourne International Film Festival. Triangle of Sadness will be in Australian cinemas from December 22. The tone of the film dramatically changes as well, with the laugh-out-loud comedy making way for a fallout of the social dynamics constructed in the first half. This havoc leads into the film’s second act, which deftly sees these class structures challenged and subverted. Some critics have reviewed the film as being too on the nose, which is the absolute point of this film. What precedes is a raucous, stomach-churning onslaught of physical humour. The film’s social commentary loses any subtlety when the passengers all sit down to the captain’s dinner during a particularly rough storm. The film obscures its standout player, cleaner Abigail (Dolly de Leon), until the second act, when her character arc is revealed to be pivotal to the film’s objective. “While you’re swimming in abundance, the rest of the world is drowning in misery,” the captain drunkenly rants over the ship’s PA system. We also meet the ship’s drunk captain (Woody Harrelson) who gets into a heated political debate with Russian businessman Dimitry (the brilliant Zlatko Buric). Passengers include Carl (Harris Dickinson) and Yaya (the late Charlbi Dean), two influencers whose beauty is paying for the trip.
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